There is nothing more exciting than doing what you love.
Sometimes I see people working with long faces, and bad attitudes toward people
and I ask myself “Why these people are working here if they don’t love what
they are doing?” I know sometimes life turns the way we don’t want and people might think it
is unfair. We see example of people who go to school, gets their bachelor
degree in a major that probably will have nothing to do with the type of job
they will be performing. Then you see people working in a place that you always
dream to work and see them miserable, and you ask yourself “how could he be so
miserable? I would do anything to be in his position.” I have dreams and goals
of becoming a great leader in the music business as well as one the best
executive producer music has known. There is nothing in this physical world
that can stop me from obtaining what I want to accomplish. The reason for this
is because I want to do what I love, which is music and everything that comes
with it. For me there is nothing more exciting than being in a studio working
directly with an artist. The emotion grows more when you listen to the song in
the radio and watch the music video knowing that you form important part of the
work. Although, I still work in a
regular job, my dreams do not vanish on the contrary it gives me more power to
keep chasing my dreams and goals. I could never see myself working on the same
place for 30 years receiving insults and bad times on account of other people.
I know I have a talent to be my own boss and be a leader for others working on
something I love. I think the most important thing to persevere in chasing a
dream is having patience and goodwill. I was watching the speech of Mr. GaryVaynerchuk at TED.com, and he says that we have to do what we love withoutexcuses. Although his speech is a little bite out of range in the way
professors and instructor have teach me to talk to an audience, but you can
appreciate his passion on what he does
and love. I can really identify myself with what he was saying. How somebody
can work in something he does not like or love?
WELCOME TO DADDY BEAR'S WORLD HERE YOU CAN FIND VALUABLE INFORMATION ABOUT THE MUSIC BUSINESS, MUSIC PRODUCTIONS, AND REAL LIFE EXPERIENCES POSTED BY OSSIE OCASIO AKA. PAPA OSO/BIENVENIDOS AL MUNDO DE PAPA OSO AQUI ENCONTRARAN INFORMACION VALIOSA SOBRE EL MUNDO DE LA MUSICA, PRODUCIONES MUSICALES Y EXPERIANCIAS DE LA VIDA POSTIADAS POR OSSIE OCASIO AKA PAPA OSO
Sunday, October 28, 2012
Wednesday, October 17, 2012
PROS AND CONS WHEN SIGNING WITH A MAJOR RECORD LABEL
Major record labels spend millions of dollars on an
artist album, contrary of indie record label that doesn’t have the same
economic advantage. There exist differences between working with a major record
label and working with an indie record label. Normally, major record labels
operate their own distribution and publishing companies. Also, they are global
in scale. The dream of any new artist is to be sign by a major record label,
but little they know about the pros and cons of signing with a major record
label or working as an indie record label. Here are the pros and cons of
signing with a major record label.
One of the pros of signing with a major record label
is the excessive amount of budgeting.
Major records labels have more budget or funds to dispose than indie record
labels can. These additional assets mean that the major record labels are able
to budget first-class production, and physical and digital distribution through
the major online stores. They also have the money to invest in world tours, and
high-quality music video shoots. Other pros of a major record label are the networking and connections they have. For
many decades major record labels have been in the door to most media outlets
having the connections to more exposing. The size and reputation that major records have gain is another pros
they have over indie record labels. For an indie record labels it may be harder
to influence recognize music magazine to do a publication of their latest
artist’s album. These kinds of magazines are more incline to do a publication
of a new artist of a major record label than an indie record label.
One of the cons or negative side of signing with a
major record label is that new artists have to fight for attention. Major record
labels sign many artists, but if their music doesn’t instantly sound, they will
not get any attention from their record label. Another con is that some artist
may get unfriendly deals fromthe label. Knowing that major record labels record are a business, they will do
anything they can to gain all the money from their investment in artist music
and branding. These mean fewer royalties, less control over the music, rights, and
creation of the music.
Knowing that major record labels are global in scale,
indie record labels on the contrary tends to work with other smaller companies.
The worthy mechanism that indie record labels have is that they can scope in
size. Major record labels are all alike in size, but indie record labels do not
have enough money to make the kind of big business that the major records labels
can. Artists can find many benefits when signing with an indie record label; they
just need to understand the aids of each type of label and knowing what is more
important to them.
You
decide!
Wednesday, October 10, 2012
PLANNING AN ALBUM
As
any other project plan,
creating, producing, and releasing an album or LP needs
a chronicle organization
to be well done. Pre-production,
production, and post-production must be breakdown in order to be done right and
on time. A good project manager must
have an excellent staff member in order for them to commit and deliver the best
of their abilities to produce a quality job. The best project managers are
those who are committed to their staff, and have an outgoing personality that
encourages their employees to do an excellent job. The best way to manage
an album project is using measurable facts that can be tested and verified by
both the project manager and staff members. Decisions must be based on logical
objective analysis on feelings and values.
The production of an
album consists of three stages. These three stages are
making the album (pre-production), preparing for the album release
(production), and its release show and post-release (post-production). On the
first stage of the album is important to have the elements completed. These elements
are pre-recordings, planning steps, recording steps, mastering and
post-production steps, legal steps, replication and digital distribution steps,
artwork and design. Pre-recoding and planning steps consist of deciding what
kind of album the project manager and staffs are making. This can be either one
album or a series of album. Most series albums are known as mixtapes.
Pre-recoding and planning steps also consist in choosing the songs of the
album, the place of recording either a home studio or
a professional studio,
rehearsing the songs, and fine tuning the gears and instruments. Recording
steps consist of making mixes, listen to them, getting feedbacks from other
colleagues and peers, and making final mixes. Mastering and post-production
steps consists of choosing a mastering house, possessing the rights
formats, and deciding the order of the songs on the album. Legal steps consists
of documenting who owns the songs and sound recordings,
getting permission to record any cover songs, samples or loops,
clearing the legal status of all the artwork and text, and getting permission
for guest musicians. Replication and digital distribution steps consists
of replicating and duplicating of CDs, to determine how many CDs
will be made and their costs. Afterward, deciding which type of packaging and
the type of booklet, getting the artwork design templates from the CD
manufacture, and determine the formats required for album art and text, are
part of the steps. Artwork and design consists of choosing a name for the
album, getting an upc barcode,
working on the artwork, and replication of the CD.
The
second stage of an album is preparing for the album release. This consists of
picking a release date for the album, preparing for online sales, preparing
audio for promotional purpose, planning a CD release show, listening party, and
tour dates if the artist or band have a booking agency, getting the album
merchandise and promotional material, planning, preparing and starting the
publicity campaign. Preparing for online sales consists of picking a CD
or digital distributor and signing up.
Preparing audio for promotional purpose consists of making MP3s from mastered
wavs, tagging and naming MP3s correctly. Having t-shirts and merchandise
related to the album, and promotional materials like posters, postcards, stickers,
and flyers can help get the album merchandise and promote. Planning and preparing the publicity campaign
consists of a PR campaign,
setting up a Google alerts with the new album
name and songs titles. Updating music resume documents, preparing PR documents
such as press releases, and compiling the target PR lists is also part of the
campaign. Starting with it consists of working with the staff members and fans,
updating the artist or band website, updating the artist or band web presence,
and writing a mailing list.
The
third and last stage of the album is the album release and post-release. The
album release and post-release consists of submitting the CD for online sales,
adding the CD to Gracenote and Freedb, and updating the artist or band website
and web presence. In
order for a project of this magnitude to succeed will depend much upon the positive
energy, attention and skills the project manager and his staff apply in its
initial planning.
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